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Form & Function - The Story Board Ep. 3

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PATRICK ROTHFUSS: Hello, everyone and welcome to the
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story broad, the story broad.
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CHERIE PRIEST: That's me, apparently.
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I've decided to start the show using a technique I think of
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as the Dick Van Dyke, where you take a pratfall, early on.
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And it makes you--
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whoops, we've got two.
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TERRY BROOKS: I don't know what happened.
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PATRICK ROTHFUSS: We lost you for a sec.
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But that's OK.
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TERRY BROOKS: I know.
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I lost it here.
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The whole screen went dark.
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PATRICK ROTHFUSS: That's fine.
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I think your other one will automatically
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log out after a second.
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So welcome to "The Story Board," brought to you by Geek
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& Sundry and the American Ketchup Advisory Board.
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In these troubled political times, please remember that
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nothing is more American than ketchup.
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This week, we will be talking about form and function, about
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plot, about pacing, about how we structure stories and how
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much that determines how well the story works.
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It's kind of a slippery subject.
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Character, you can kind of point at.
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Plot, you can kind of point at.
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But there are some other really subtle things going on
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here, in terms of the actual behind-the-scene nuts and
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bolts of what makes a story work.
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And to help with this discussion, we
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have our lovely guests.
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And we'll start with Brandon.
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Would you care to introduce yourself briefly?
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BRANDON SANDERSON: I'm Brandon Sanderson, most recently and
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best known for finishing Robert Jordan's "Wheel of
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Time." I'm author of a number of various books, of all
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shapes and sizes.
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Pat told us we should plug our stuff.
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So I've got a new book out on Audible right now, for free,
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called "Legion." So you could just go download it.
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It's completely free.
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It's a little novella.
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PATRICK ROTHFUSS: Cool.
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Cherie.
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CHERIE PRIEST: Oh, my turn.
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Hi, I'm Cherie Priest.
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And I've had about a dozen books published.
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But when people tell me they've read my book, they
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always mean "Boneshaker," just across the board.
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And I'm great.
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